Monday, June 14, 2010

Mosaic Monday: Ocean Wonders

The happiest moments of my days are spent in the outdoors, exploring & just totally appreciating my natural world.  The tragic oil spill in the Gulf Coast brings me to tears when I think about all the suffering creatures & the ruins of the ocean & beaches.  The impact on us humans is beyond comprehension as well!  These were my thoughts as I prepared this week's selections from the fabulous POE Team.....


sea flower by ara133photography
starfish friend  by StudioHaus
dreaming of the sea  by allieart4children
beach bliss  by photopia
i stand each day on the shore by honeytree
blue gray sea  by Nakedeye17
fly away  by BornBarefoot
25 may 10  by The DailyFoto
morning watch  by batfineart
seaside memory  by HouseofSixCats
Blue Star  by ModernClassicsPaper
Boardwalk Stroll  by jrzygirlphotography

There is a collective Etsy shop Help the Gulf Coast if any one is interested in donating an item.  The proceeds are going toward helping the Gulf Coast recovery....

Pat of photogenicgallery  lives in the northeast United States with her sweetheart husband, two doting dogs & about ten different cameras.  She has been known to capture at least one dose of happy moments per day.  She loves visitors to stop by & peek through her open window ......

Saturday, June 12, 2010

From the Collaboratory

Vincent Versace was in Seattle for a couple of days this week, and – lucky me! – I went to one of his presentations. To cover everything I learned there would turn this from a blog post to a dissertation, so here is one simple idea: If it looks cool, take a picture.

Versace’s point was that we can have a shot composed according to the rule of thirds, with the right light, f-stop and shutter speed, and still have a blah image. It’s your passion, or duende - that WOW factor - that captures people’s emotions.

See what I mean?




Away by ara133photography






The Road by AlBrydonPhotography




Waiting white cat by eyeshoot


Racines numero 2 by MarcoLaGrenouille

Baby Hand by brownrose


Presence - Begonia Flower Mandala by karencaseysmith


More about Versace's wisdom next week. You can see his work at Vincent Versace Photography.

Nakedeye17 (Su) thinks of photography as a wake-up call: "Hey, everybody! Are you seeing this?" She loves to capture humor, too, and anything wondrous strange. Find Nakedeye17's shop here

Friday, June 11, 2010

New Works

Some lovely, newly-listed crafting and creativity themed photography from the Photographers of Etsy team are featured below. Wouldn't these make great decor pieces for studio spaces?

You can find lots more fine-art photography here.





New works is compiled by Jessica Torres. Jessica lives in tiny little Kuna, Idaho with her husband and three rambunctious kids. She tries to ignore housework while taking pictures of whatever is near - her family, the Idaho landscape, random objects collected by her and her family. She loves visitors at her website and her shop.

Thursday, June 10, 2010

REVIEW and GIVEAWAY

The  ceramic art coasters, by House of Six Cats,  have been reviewed!

There is also a giveaway going on to help celebrate!

Please go to Bee's Go Buzz and check it out!

Wednesday, June 9, 2010

Focus On: siriusimagery

Horned Lizard Close Up

Have you seen images of spiders, grasshoppers, horned lizards and other creepy-crawlies on Esty?  If you have, and they’d be hard to miss, then you’ve seen the stunning work of Racquel Morris, the artist behind SiriusImagery.  That's not to say that's all she shoots, but those type of critters seem to be her forte.  I recently had the pleasure of a conversation with Raquel.  I hope you enjoy it as much as I did.

Steve:  When I come across a photographer whose work intrigues me, I'm curious about the source of their inspiration.  So, Raquel, what can you tell us about yourself, your family, where you come from, that sort of thing?

Racquel:  I mainly grew up in Winter Haven, Florida and I was a lot like Elly May Clampitt.  I had my own Noah's Ark with 2 dogs, 2 rabbits, 2 hamsters, 2 mice, 2 cats, 2 birds, 2 fish, 1 guinea pig and 1 turtle. I ran my own animal rescue from the age of 7, rescuing anything that needed my help; lizards and birds were probably my best patients. 

We had a pool, and every morning I would go out and rescue all the creatures that had fallen into the pool overnight, usually baby frogs, toads and lizards. I loved all wildlife; not bugs though, they scared me, especially spiders!

Now I am nearly 40, married, living in New Mexico and have two very special boys, who are the inspiration for my work. It is because of them I was able to overcome my fears, learn about the small creatures and get involved in macro photography. I still routinely rescue animals, and if my husband would let me I would have a mini zoo!  Right now we only have 6 dogs and 5 turtles.

Beep Beep

S:  All manner of critters, two by two, a cement pond...sure, I get the "Elly May Clampitt" thing.  And quite frankly, your connection with, and caring respect for other creatures is one of the things I respect about you.  One other thing in your response that I’m sure a good many folks would find interesting; your boys.  How is it that two young lads can affect their mom in such a way as to overcome her fear of "creepy-crawlies"?

R:  My boys are very special and have changed my life in ways I can’t describe.  At 16 months, my oldest had yet to speak a word. No ma-ma, no da-da, just a world of grunts and rituals. Shortly after talking to his pediatrician we got into an early intervention program where it was confirmed he was Autistic. We were told he would never speak, never potty train, etc. He is now 8 and not only speaks, but his vocabulary and reading are above grade level.

Around age 3 his younger brother was diagnosed with Aspergers, a high functioning form of Autism. In the beginning I thought of the Autism Spectrum Disorder as a disability but my outlook has changed.  Yes there are stresses and limitations that come with being different, but different is all my boys really are. They have abilities other children do not have.

Bull Snake

We have always been a huge reading family. From the time my oldest saw his first book he wouldn't allow me to turn the page until he studied everything on the page. Pointing to things I never noticed before. Attention to detail is life for both boys and they constantly make me pause, slow down and enjoy all life around me.

I was so afraid of spiders that when I saw one I would scream for my husband to kill it, I was really that scared! My oldest son once asked me why I was so scared.  “Because they can hurt you”, I said. 
“All of them?” he asked.  
“No”. 
“Then why are you scared of all of them?”
 I didn’t know. 

At that time I was making jewelry, and I purchased my first camera to photograph my work.   The camera allowed me to see many of the details in life I was missing. 

One day we were eating at a friends BBQ stand and crawling around was this beauty: http://bugguide.net/node/view/203159.  I did not have a true macro lens; just a 20mm macro capable lens, and I didn't want to get that close to it anyway.  When the boys and I got home we started searching all over the web for this beetle.  A friend told me about Bugguide.net and that was when the obsession for knowledge started. 

Juniper Grasshopper

The boys wanted to go bug hunting every day, but I was not yet over my "gross factor".  I started looking at macro photography and was shocked by the images. I thought if my boys could overcome all they had then I could overcome my issues too! 

I bought a used Canon lens, and we started going on nature walks; bugs we couldn’t ID we submitted to bugguide.net. My fears lessened and soon I photographed my first spider, an orb weaver; the next one was a crab spider. It took almost a year to work up the nerve to shoot the one that had terrorized me since childhood: the tarantula.  I talked to some experts and learned the tarantula defends itself not by biting or leaping, but by flicking hairs that itch like crazy. That didn’t sound so bad, I could handle that! 

Big Hairy Monster Of The Southwest

A few days later my husband found another one in our front yard and I decided to use the same technique I do with my grasshoppers; I lay down directly in the spider’s path and talked to him, assuring him I was not going to hurt him and asking him not to hurt me.  You can find that picture in my Etsy shop; it’s probably the one I am most proud of. 

S:  So, you got your start in photography in order to photograph the jewelry you were making.  Can you tell me a bit about that?  Also, what was your first camera?

R:  Yes the camera was purchased so I could get better quality pictures. I also wanted something nicer to get pictures of the boys.  At the time I had Sony Mavica FD-200.  My specialty was handmade soldered chainmail, either plain or embellished with artisan made lampwork glass.

I felt that my pictures needed to be as good as my work. The camera I wanted was the Canon XTi; when I got it I was hooked.


Dragons Do Exist

S:  You've come a long way from that little Mavica; tell me about your training. How did you get from "there" to "here"?

R:  Mostly through a lot of reading and practicing. I have a ton of books on photography but my favorite author/instructor is Bryan Peterson. I have learned a lot from photography forums as well.  While I haven’t attended classes, there have been too many people involved in my education for me to consider myself to be “self-taught”. Brian, Toby, Kurt, Bryce, Scott and Alistar are just a few of the macro shooters that have helped me grow in my art.

S:  However you want to label it, clearly the desire was there and you made it happen. 

Looking at your work, it appears that you have more than one style. What can you tell me about your creative process? Or is it "processes"?

Don't Worry Be Happy

R:  The comment I get most about my style is "personality", that and my focus being the eyes. I always focus on the eyes; they tell the story.  The animals and insects are aware of you; they are watching and even studying you. They have their own personalities; some are skittish, some are curious and some are even friendly.

I think the perceived style difference is not really a difference in style, but in the subject I am photographing.  I go with their emotion and mood.  Like I said, I talk to my subjects, even the smallest ones. I also try to photograph from my boys perspective. That is why many of my shots are taken with me laying on the ground; trying to see the world through my children’s eyes.

S:  When you shoot, do you go out with a plan and a specific subject in mind, or do you just take it as it comes? What sort of preparation do you go through?

R:  Besides knowing the location I rarely have a plan.


Are You Horny

S:  Yeah, I can relate. I may go out the door with an image in my head of what I want to capture, but nothing is ever as I anticipated. You mentioned earlier starting out with a Sony Mavica and moving up to the Canon XTi. What's in you bag now? And, if wishing could make it so, what one thing would you like to add to your bag?

R:  My philosophy is if you don't anticipate, you won't be disappointed. Instead you encounter unexpected surprises. 

Currently I have a Canon 40D, MP-E 65mm (which is what gets those super detailed shots), Canon 100L IS (also macro), Canon 28-135 IS, Canon Nifty Fifty (best little starter lens anyone can buy) and Canon 430EX.

I am realistic in my wishes so if I had one wish it would be for the Sigma 50-500mm which just came out but then I would need a new bag ;o).


Plains Lubber Grasshopper

S:  40D? Hey, that's my brand!  And my policy is, if you're gonna wish, wish big; it doesn't cost any more!

You mentioned some names earlier when we were talking about your training; putting that aside for a moment, is there a photographer, or photographers that you admire or may have inspired you? What influence(s), if any, has he/she/they had on your work?

R:  Ha!  You’re right!  I’ve often thought about upgrading my 40D but I would rather get more glass instead. Perhaps I should have wished for the Canon 800L? It is on my "in your dreams" wish list.

I admire all those photographers. In my opinion they’re the best macro photographers out there.  After buying the MP-E, I had a new appreciation for their work.  This has to be the hardest lens to use and master, yet these guys make it look so easy!  Most of them stack focus without aid of a tripod, and that alone is enough for "hero" worship status.  Their work inspires me, and they have constantly encouraged me not to give up.  Without these guys, and many others, I would not be where I am today with my art.


Diesel Fried Chicken


S:  We must be in a groove here, because you've given me a perfect segue to my next question: where would you like this photography thing to take you? Or, where would you like to take it?

R:  I have been pondering that same question for the last year. I am thinking about taking some entomology courses come this fall. Something I never thought I would be interested in! 

I want to show people that not only are bugs beautiful and can be artful, but that all things have a place in our life.  We don't have to fear what we don't understand, just take time to learn and respect all living things around you.  I am hoping my new line of wearable bug art (launching soon) will encourage this learning process. 


Fire Takes You Up


My philosophy with my path is much like my daily shooting.  I don't expect anything and don't rule anything out.  When pursuing their dreams, people often forget to enjoy the journey.  I don't want that to happen to me.

S:  Well, there's nothing I can add to that Racquel, except to thank you for your time. I really enjoy your images, I've enjoyed our conversation and I wish you nothing but success!

R:  Thanks so much Steve! It’s been a pleasure talking with you too; the most fun in an interview I think I have ever had!


__________________________________________________

PhotoGrunt is Steve Raley, a photographic documentarian from Seattle, Washington.  He captures images wherever he goes, and he  frequently even uses a camera.  His work can be seen on his websiteblog and his Etsy shop.

Monday, June 7, 2010

Mosaic Monday: The Wedding Bug

Statistics show June is the most popular month for weddings!  I happen to have weddings on the brain cause my daughter is going to be one of those June brides.  Here are some cool  photos symbolic of the special moment when two become one.  To see more of the POE Team, look here!

touch  by flandersfield
sandy beach pier  by SilverHorsePhotos
dreaming  by ellemoss
embrace  by karencaseysmith
all i see scares me  by dylanmurphy
kiss  by moonangelnay
two hearts  by FlashForward
pair of chairs  by elephantdreams
green door  by Paintedwithlight
i love you  by Capow
smiling frog  by JMcGuiness
pretty in pink  by elr104
Pat of photogenicgallery  lives in the northeast United States with her sweetheart husband, two doting dogs & about ten different cameras.  She has been known to capture at least one dose of happy moments each day.  She loves visitors to stop by & peek through her open window....

Sunday, June 6, 2010

Mind's Eye: Inspiration

As a new contributor to the POE blog I will be concentrating my efforts on showing off some of the POE's best abstract and manipulated images.  I love everything about Abstract art in any form.  I know it's not for everyone and I have spent many hours talking to my father about how it isn't all "rubbish".  Besides appealing graphical details, the idea(s) behind each work is highly important to intriguing the viewer.  Manipulated photography can purposefully create an idea, a mood.  It can make us forget that it takes skill and work to not just take a photo but create a photo.  Abstract and manipulated photography can not only draw the viewer into the image, but into the imagination of its creator.

One of the philosophies I maintain is that art is everywhere I look.  A speckled ground can make me think of Jackson Pollock, aged paint flaking off a wall reminds me of Clyfford Still.  From abstract expressionists to painters of the impressionist period, masterpieces can be found ready to shoot in any location at any moment.  Well, here, allow me to show you what I mean...

Take for example this photo, "Mixed Cultures" by our very own POE member UNIkalinka.  It instantly made me think of the painter Morris Louis.  Just one more reason to check out UNIkalinka's shop!


In another example, PhotogenicGallery's "A Poppy Eye Viewpoint" incorporates soft focus of the red petals and sharp, focused detail of the dark center to create an image reminiscent of "Poppy by Georgia O'Keeffe.


I had to look twice and read the description to make sure that this next work was in fact a photograph.  The high contrast and crisp detail look so much like a line drawing.  Photopia has described her photo "Abstract Architecture" as "Escher-ish" and I couldn't agree more.


Although the beautiful color field photos of FrancesPhotography remind me of Mark Rothko, I have to admit that I love these photos even more than the masterpieces that hang in museums all over the world.  I don't just love these photos for their graphical detail and color choices, but also because I can't quite figure out how much of these photos were from her natural surroundings and straight shooting, and how much was altered digitally if at all.  These photos, such as "Journey II" featured below, pull me in and allow my mind's eye to wander and wonder much more than the very famous works of Rothko and other color field masters.


Inspiration's like these can also be seen in manipulated photos.  In the digital darkroom it's possible to re-create the mood and styles of famous work such as Andy Warhol's silk-screened images (below, right).  Claudia Lord's "Daisies 3" is done in just such a way (below, left).


In this final example, PrettyPetalStudios has manipulate her image "The Tree" in such a way as to create an antique appearance and the feel of a drawing/painting.  I wonder if she thought of this Japanese print as much as I did when she was creating it.



Photography does such a great job of holding moments still and capturing everyday beauty.  Inspiration can pop up on any street corner while waiting for a bus, on the wall of a building close to where we work, or outside our home... it's everywhere and it's just a matter of noticing and creating our own masterpieces.


Anika Toro lives in TN with her new baby, husband, and two naughty cats.  She loves taking photos every moment of every day.  She shares her photography in her shop, on her blog, and invites you to collaborate.

Saturday, June 5, 2010

Blog Volunteer

Hi everyone!

I have come to share splendid news with you. We have another addition to our blog contributors, and a new article series as well.



Please meet Anika Toro













Anika will be publishing a monthly article on Sundays called “Mind’s Eye”; it will focus on abstract and manipulated photography. Visit her blog for more examples of her work, and stopover to her shop to see her 3D and mixed media projects.

From the Collaboratory

Of all the elements that combine to make a great photo, for me, story is the most telling. Good composition and color can be stunning, but if the image piques my curiosity, I'm caught.


The Buddah in Hell's Kitchen by JBWPhoto

Sometimes the story involves a question: What happens next?



Storm Approaching by urbandesign


Other times, people evoke the mystery: Who is this man? What is he like?


Handful of Rings by henatayeb

Or you begin to imagine the rest of the scene, hearing the excitement in little voices, the slap of small palms against the dough. Who brought the children together? Are they siblings? friends? Are they getting along as well as it appears? Will the buns be any good, or will too many little cooks spoil the dough?


hot cross buns by allieart4children


Sometimes the story takes a step back to focus on the photographer more than the subject: why she chose a particular subject, how he achieved a certain effect.


Untiled No. 128 by FrancesPhotography

Curiosity and story are integral to human life. Photos that evoke them tap into a very deep well.



Nakedeye17 (Su) thinks of photography as a wake-up call: "Hey, everybody! Are you seeing this?" She loves to capture humor, too, and anything wondrous strange. Find Nakedeye17's shop here

Monday, May 31, 2010

Mosaic Monday: Poppy Love

My first poppy is blooming in my garden!!!!  I can look at poppies all day long so it was a treat to explore the POE Team and their interpretations of this beautiful flower.....



poppies will make them sleep by mkendall
Eclosion de Coquelicots by Marco La Grenouille
Poppy Enchanted by urban design
Blue Poppy Pods by honeytree

Poppies by mishaashton
Joie de Vivre by AliciaBock
Opium Dreams  by ArtfulMagpie
Morning Poppies by lauri

Beneath the Trees by greenislandstudios
Love by eleanors
all summer long by enchantedpond
Orange Poppy by LDphotography


Pat of photogenic gallery lives in the northeast United States with her sweetheart husband, two doting dogs & about ten different cameras.  She has been known to capture at least one dose of happy moments per day.  She loves visitors to stop by & peek through her open window.








Sunday, May 30, 2010

JUNE SLIDESHOW DETAILS...

The details are emailed to our yahoo group mailing list every month, you can join here, but not many people have submitted images for June so I am posting it here. I know there are many talented TTV photographers out there.

Deadline for submissions - June 3rd, 2010

Theme is TTV images (Through The Viewfinder)

Maximum 2 images.

Please use your shop name for your images.

Example: FromMyEye.etsy.com would be FromMyEye.jpg

More than one image submission:

FromMyEye-1.jpg
FromMyEye-2.jpg

Images should be at least 5x7 and 72dpi.
Please email images to: Taryn at tarynlpyle@cox.net

Saturday, May 29, 2010

From the Collaboratory


Did you ever set up a shot like this and wonder if your camera’s light meter was malfunctioning? In the photo above, the dogwood blossom was in a wooded area with a few shafts of light filtering through, so most of the background was quite dark. On my first try, I used the camera’s readings to adjust the exposure, and fired away. In the resulting image, the blossom appeared completely washed out – no veining or detail at all. Then I remembered what photographer John Greengo said about not always trusting your camera’s readings, and decreased the aperture so the camera’s exposure level indicator showed the image would be about two steps underexposed. Doing so gave me the balance I wanted. That was my first object lesson in exposure compensation.

Backlighting, very light or very dark subjects, or complex combinations of light and shade can fool even sophisticated cameras.

A light in the window by kclarkphotography

Kim of kclarkphotography told me she captured this beautiful image with a Sony DSCH9 point-and-shoot at 1/100 sec, ISO 320, 15mm.

"When I took this photograph I had no idea what any of those things meant," Kim said. "But I am making headway. So currently, I go with my gut on an image and manipulate it in the field until I get the results I'm looking for. I tend to shoot in Aperture priority, and manipulate that along with my ISO and shutter speeds according to what looks best in the field. This usually means multiple images with different settings as I learn the craft."

She achieves a delicate balance between light and shade here, allowing even the fine detail of the spider webs clear expression.


4 May 10 by The Daily Photo

In this dramatic image, there's enough exposure to allow some detail from the buildings - the R T or A T TAILOR ad, for example - but it's dark enough to make the Leo's sign front and back really stand out. Check this out on Melissa's etsy site, The Daily Photo, to get the full impact.

Melissa said she used the following settings to get this effect:

Shutter Speed 0.3sec
F-stop 5.6
ISO Speed 1600

"I manually adjusted my 1600 ISO, but let the camera choose the shutter & F-stop for me. I think I was lucky! I also processed it in Photoshop," she said. "I remember that I didn't process too much - I adjusted curves and I also adjusted the brightness/contrast too, but that was it...I didn't add any fill light at all, nor adjust exposure...

Both Melissa and Kim expressed a desire to learn more about the science and craft of photography - a desire I share. I hope more poe team members will chime in! That's what a collaboratory is - a gathering of minds to bat around ideas and maybe come out of the experience knowing a little bit more.

Nakedeye17 (Su) thinks of photography as a wake-up call: "Hey, everybody! Are you seeing this?" She loves to capture humor, too, and anything wondrous strange. Find Nakedeye17's shop here

Friday, May 28, 2010

New Works

Some beautiful new art photography from the photographers of Etsy is featured below. Find more art photography here.





New works is compiled by Jessica Torres. Jessica lives in tiny little Kuna, Idaho with her husband and three rambunctious kids. She tries to ignore housework while taking pictures of whatever is near - her family, the Idaho landscape, random objects collected by her and her family. She loves visitors at her website and her shop.

Wednesday, May 26, 2010

Focus On: The Eye

Cedar Waxwing

I’d had my shop here on Etsy for almost a year, and been a member of POE for nearly as long when I first discovered that POE had a Forum (did I mention I’m a “visual” person?).  I scoped it out a bit, and then jumped in with both feet.  One of the first people, if not THE first person to engage me in conversation was Ellen, just “Ellen”.  

Cher can do it; Madonna can too, so why not Ellen?  And ya know, it works for her.  You say “Ellen” anywhere around our little community here, and chances are better than average folks will know exactly who you’re referring to.  Ellen runs the aptly name shop “TheEye”, and birds and flowers are her bread and butter.  That’s not all she shoots of course, but those are her primary interests, and you’d have to look long and hard to find someone that does them better.

She recently agreed to be my second victim subject and I’d like to share with you a bit of our conversation.

Steve:  The first thing that I usually want to know about a photographer whose work I admire is, “Where is this person coming from?”  So Ellen, my first question to you is really a statement built around a set of questions.  Tell us a bit about yourself; where do you come from?  What’s your family like?  What do you do when you’re not creating images?   Who is Ellen?

Ellen:  Well...I come from a paper-mill town in Ontario, Canada named Thunder Bay.  I’m from a BIIIIG family, the youngest in a sib line of 6; my family came to Canada from England.  My parents (mom’s English, dad’s Scottish) already had 4 kids by the time they emigrated, and then my older sister and I were born here in Canada.  I adore my entire family; they’re fun and witty, smart and sarcastic, loving and caring.  I have two daughters of my own who are both a) teenagers; b) amazing individuals; and c) finally past that awful stage where mom knows nothing, and might be kind of cool after all.


Lighthouse at Heceta Head

When I’m not creating images I work full time doing medical transcription for a couple of national companies.  I live in Kelowna, BC but the clients I work for are big hospitals in Toronto.  I've been at this for 19 years, working full time from home for the last 15.  When I had my kids, I wanted to raise them myself, and that's exactly what I did.  I quit my full time hospital job and started up my home transcription service, so that I could work evenings and nap-times and be home with my kiddies.  Once the kids started school, I decided it would be much easier to simply type for a transcription company and let THEM worry about all the details.  I doubt I could function in a professional office setting any more.  I enjoy my coffee and typing in my PJs.  If I wake up with insomnia at 4 am I can start my day.  Working from home, in a solitary job, gives you a lot of time to do what you want, hobby-wise and family-wise, but you spend the majority of your time alone. It does, however, afford me a lot of time to daydream, to think and to listen to copious amounts of music, which is vital to my existence.

S:  OK, why photography…how did you get your start?  Have you had any training or are you self taught?

E:  Photography is a way of taking a moment and making it stand still forever, of seeing a beautiful image and being able to share it with the world. I look at things thru a viewfinder on a constant basis ... "oh, that would make a great shot...."  Always, there is a bend of the grass or a wisp of the cloud or a shock of brilliant sunset will make me stop in my tracks and reach for my camera.


Pink Roses

My eldest sister worked at camera shop when I was a kid; I thought that was the coolest job on the planet!  I fell in love with her Nikkormat camera with the hand-made macramé camera strap.  She constantly had a camera in her hand back in those days and she took some marvelous pictures; that must have inspired me.  I've always been very artistic though; I was that kid at school that people came to "can you draw this for me?" 

I'm a bit of a renaissance girl I guess; I love to garden and cook; I paint, I write prose/poetry and draw and doodle.  I think being a traditional 'artist' definitely gives me a different insight as a photographer. 

As far as training, I consider myself self taught.  The only photography instruction I've had was waaaaaay back in high school, grade 12.  I used a 35mm Minolta for years.  I finally bought a digital camera in October of 2006 and haven't looked back.

Timeless Classics

S:  A “renaissance girl”; I like that!  Looking at your work I can see how your interest in other disciplines is reflected in your photography.  You shoot a lot of floral and bird images, sprinkled with some still life and landscape images.  Talk to me about your creative processes in these different situations.  Do you do a lot of preparation or do you rely on serendipity and happenstance?

E:  Some of each, but when you are attached at the hip to your camera, is it really happenstance? lol...

Some shoots are planned, most are spontaneous.  I'm an "oh-my-god-look-at-that-cloud-let's-go-for-a-ride" kind of person.  My daughter is a good partner for that.  She's always game to sit in the car in the middle of a lightning storm on the top of a hill so we can try and get a 'good shot'...or to drive 30 minutes to a nearby glacier fed lake because the water might look 'pretty' today. As far as birds and nature, despite my bug-whisperer claims, I don't have much control over their actions; my only defense is to have the camera at the ready.

S:  A good number of your floral shots not only look planned and arranged, but they almost look, for lack of a better word, "sculpted".  Your perspective and lighting look anything but spontaneous; what sort of process, or processes, do you employ there?

Dear Prudence

E:  Well... I'm a big fan of buying myself flowers specifically for the purpose of shooting them.  I have an orchid on the kitchen table right at this moment actually!

For floral shoots at home, I start in reverse.  Often I know what I want my end result to be, so I lay a good foundation shot.  I always have in my mind how I will be tweaking that basic composition on my computer later in order to achieve the desired end result ... then I snap the shutter a bazillion times and hopefully get 30 or 40 good ones.  

For natural lighting, my kitchen faces east so the morning light is perfect.  I plan my set up, use different coloured backgrounds, play with the shadows and perfect what I want in terms of lighting and try to nail the composition I'm after.  Post-shoot, Lightroom has become my favourite editing tool. 

For artificial light, this will sound weird, but my kitchen stove top is often where I set up my shoot.  I can use the range hood light over top... the kitchen lighting...and the fluorescent bar lighting.... who knew a stove could be a handy photography prop?!


Steller's Jay

S:  Back to birds for a second; like anything else, you have to put yourself in position to get the shot.  I’m guessing you’re a birder; are you?  If so, how long have you been bird watching and what got you started?

E:  I've been a bird watcher from about the age of 5 or 6; they’ve always fascinated me.  I think the honeysuckle bush in my parents' yard is what did it.  The evening grosbeaks and cedar waxwings would get intoxicated eating the berries and do the funniest things!

To get in position, I’ll start shooting and walk forward, almost blindly, looking thru my lens, adjusting the focus as I get closer; I can get pretty close sometimes, depending on the type of bird.  I spend a LOT of time studying their habits.  Quails are skittish, while nuthatches will practically eat out of your hand.  Stellar jays are curious; shy at first but can become very bold.  Chickadees are friendly, not too scared of humans.  Hummingbirds are a big challenge, but so fun when you finally capture a shot in focus.  My goal for 2010 is to get a good shot of a Great Blue Heron, and I wouldn't mind a good bald eagle shot!


Spatter by Moonlight

S:  What was your first camera?

E:  My first camera was a Kodak Hawkeye instamatic R4. I thought it was pretty cool, with its ice-cube shaped flash and its blue casing.  I was about 6 or 7 when my parents passed it along to me; lots of family photos were taken with this camera.  I still have it too; it's sitting right on my desk.

S: What’s in your bag?  If you didn’t have to worry about price, what piece of equipment would you add?

E:  My bag is a Lowepro shoulder rig and it carries my canon Rebel XT, 100 mm macro,  75-300 mm zoom and 18-55 standard lenses, along with various and sundry other accoutrements. 

If money was no object I’d have to say “Hasselblad”, or at the very least a new camera body;  the sensor is shot on my current one and needs to be replaced, which will cost as much as a new camera.  I would love a 500 mm lens for birding!

S:  Hasselblad, digital back, assorted lenses…yeah, I’m with ya.

I know you view other photographers’ work, heck, we all do.    What is it that attracts you?  What draws you in?

Sweet Summer Grass Part 2

E:  Hmmm...I like nature photos, close-ups of animals and insects, flowers and lots of colour.  But then again I love black and white and urban shots. I'm not big on portraits, and though I admire portraiture, it's not my bag.

S:  What photographer(s) do you admire most and how have they influenced what you do?

E:  I have some faves on Etsy and on Flickr of course, but I don't really have a list of photographers I've been influenced by.  If anything, I'm more influenced by Mother Nature and striving to achieve even one nth of a degree of the beauty she gives us.  I'm also influenced by more traditional forms of art like painting on canvas. If I could spend a day with an impressionist like Monet and just observe the master at work that would be a dream come true.  Or if I could wander thru Leonardo's studio ... can you imagine?

S:  Yes, Ellen, I almost can.  Thanks for everything; I’ve enjoyed it!
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PhotoGrunt is Steve Raley, a photographic documentarian from Seattle, Washington.  He captures images wherever he goes, and he  frequently even uses a camera.  His work can be seen on his websiteblog and his Etsy shop.