Showing posts with label digital. Show all posts
Showing posts with label digital. Show all posts

Thursday, June 4, 2009

Focus On: Schugirl


Simplicity

Self-Discovery Through Photography.

Imagine the pathway you create as you live your life. It follows a straight course for awhile, and then you find it making switchbacks as you head up a hilly stretch before you head down a slope and make more zigzags to keep from descending too quickly. Now think about the pattern all our combined trails would make if we'd put them on some kind of a map!

Here's the story of Susan Schumann of Schugirl Photography. She's a new member of the POE and fairly new to Etsy. Sue's path is most definitely an interesting one --


Ann: Your Etsy shop profile tells us you went to Rhode Island School of Design (way cool!). Tell us your path to art and photography.

Sue: I'm pretty new to photography -- about 8 years, but I think I've photographed for my whole life, just without the equipment. I can remember sitting in the back seat on long rides and just watching as the composition outside my window changed as the car moved. I still do this today. I also remember watching the neighborhood change as the lighting changed. As a child, my favorite time of day was 7 p.m. in the summertime. The sun casts such beautiful shadows of the trees onto the streets where I played. I'm actually sort of glad I didn't have a camera back then. I think it helped to develop my eye before I could rely on the camera to frame shots.


I was always interested in art, too. After teaching four years of elementary education in southern California, I became disillusioned that my expectations for my career and success were drastically different from reality. So my husband, a graphic designer, and I decided to move back East to be closer to family. I took a job teaching 7th and 8th graders English as a second language in an urban setting. I enjoyed the older kids more, but something was still missing. My husband has always been supportive of my exploring the arts. So I enrolled at the Rhode Island School of Design for advertising and print design, in an 18-class program I finished in three years. One of the classes was a black & white photography class with a darkroom lab. I was hooked. I especially loved the darkroom.

My friends and family started asking me to shoot special occasions, and I also began doing freelance graphic design. I like to shoot anything. I especially look for interesting patterns and textures, dramatic lighting situations and strange angles. I think my portraiture is my strongest subject, and you can see some of my portraits in my shop at 1000markets.


A: What's it like to go out taking photographs with you?

S: When I shoot, I like to go to a location and explore. Sometimes I spend hours photographing the strangest things and people look at me weirdly, especially when I shoot macro. I haven't quite gotten over that. I do like to shoot with other photographers -- the energy is really great. There's something about having a few creatives in close proximity that makes for awesomeness (or at least a Zen-like experience when shooting)!


A: Have you gone 100% digital in your photographic work, or do you still manage to get into the darkroom from time to time?

S: I have made the transition to all digital, but it took me awhile. I bought a digital camera in 2003 (I still use it and have only upgraded lenses). I shot with both my digital and film camera for several years. I felt my film camera was much more intuitive than the digital, and to some degree, I still feel that way. Eventually, I made the transfer for a few reasons. First, my film camera needed repair! And, second, I was always horrible about bringing film to be developed. It wasn't easy to set up a darkroom in my house and to properly dispose of the chemicals. [Digital] post production freed me up to shoot as much as I wanted without worrying about cost.


A: When you describe how you take photographs, and when I see the product of your labors in your Etsy shop, I detect a sense of patience, especially with your beach images. What's that like for you?

S: Hmmm, patience is not really a strong quality of mine. I'm sometimes impetuous when shooting, and I have to stop and remind myself to think about what I'm doing. As far as the beach scenes, they have forced me to realize something: I have always hated winter. Since I've moved back from California, I've always cursed myself for leaving the amazing weather. Since I've started on Etsy, I've dragged myself out into the cold to shoot. One of the places I've ended up is the beach, and it's the most peaceful place on earth in the winter. That's saying something, since I'm not really a beach person. It was so great to get out in the cold and walk around feeling the sun on my face (and get a runny nose, too!). So, maybe that feeling I convey isn't necessarily patience but my reverence to Mother Nature!


A: What post-editing programs to you use to edit your digital photography?

S: I mostly use Photoshop CS3, but because I view my older photographs on Picasa. Since shooting TTV, I've started to mess around with different applications on Picasa for the final product. I can do the same thing in Photoshop, but it's quicker in Picasa. No one needs five different ways to do the same thing, which is my biggest complaint with Photoshop.



A: What are your photographic plans for the summer?

S: This summer, I plan to go to as many different places, and to revisit some of my favorite ones as the seasons change to shoot as much as possible. I hope to list photographs daily, to actually start that blog I've set up an account for and to take creative breaks with knitting to clear my head! I've been accepted at Trunkt, so I'm hoping to upgrade there and see where that takes me. I also plan to reach out to the community to do some marketing and nonprofit/fundraising events.


A: Your portraits of Peruvians are very beautiful and very intimate. What was it like taking their portraits? What's your back story?

S: I volunteered with a friend in 2005 through Cross Cultural Solutions. Since I have a teaching background, I spent most of my time in an orphanage. I also have an interest in medical care, so I went to a clinic one day and a nursing home on another day. When I went to the nursing home, I went with a girl who was studying reflexology. I had taken a class in reflexology, so I thought it would be a great experience. It was the best day of my two weeks. To hold someone's hand and touch someone is truly a magical connection you only get with someone you are intimate with already. These women were so beautiful, and even though they spoke only Quechua, we communicated through touch. It was awesome! I can't wait to go back. I love Peru, and I would have stayed if I could have.



Thanks, Sue, we'll be watching your shop fill up with images of summer. Check out her website to see some of her graphic design work, and some beautiful maternity and wedding portraits. You can also see more of Sue's portraits of Peru at her 1000markets shop.



A world traveler and self-taught photographer, look for Ann wandering around city streets and tromping through woods and hiking trails with her camera. After owning an international transportation business for many years, Ann has found her creative spirit again through the lens. See more at Ann's shop and her website, and say hello to her on her blog too.

Thursday, February 26, 2009

Focus On: futurowoman



I've got to tell you -- I love my "job" here on the POE blog. I get to meet and get to know some of the most interesting people around, and we get to talk about photography. I can't think of much better things to do, quite frankly! If futurowoman, a.k.a. Nancy Stockdale, could have her way, she'd probably have an extra set of arms and one more pair of eyes, and perhaps an Airstream trailer to follow her wherever she travels. Nancy is a prolific photographer who has mastered the use of more than several cameras. Read on to find out more about how she juggles all her equipment to create images of things you've probably seen before yet Nancy has made look unique and beautiful -- to make you say, "wow."

Ann Wilkinson: How did you get your start in photography?

Nancy Stockdale: As long as I can remember, I've been an obsessive photo-taker. I got my first camera as a child -- a Kodak Instamatic that took 110 film -- and I've never been without a camera since. However, I did not get serious about photography as an artistic pursuit until the late 1990's. At that point, I had a few online exhibitions, using photos I'd taken with automatic, vernacular 35mm and APS cameras. Then, in 2005, I got my first digital camera, a dSLR by Olympus called the Evolt 300. With that camera, I became an obsessive photographer, particularly of urban decay, vintage details and nature. Having a digital camera allowed me to shoot unlimitedly, and my composition, focus and manipulation of light began to improve. However, shooting with a digital camera reminded me of how much I actually love film, and by the end of the year, I was shooting with a variety of film cameras that are so incredibly different from digital, including the Lomo LC-A, the Holga and the Polaroid SX-70. I've never had any formal training in photography, but by the end of 2005, I began to acquire a following on art-sharing websites, such as DeviantArt, Flickr and LiveJournal. That has transitioned into brick-and-mortar gallery shows, selling prints (at my Etsy shop and elsewhere), and so on. Although I enjoy the ease and fun of digital photography, I am, by and large, an analog photographer who appreciates the otherworldly nature of what happens when light touches film.

AW: Just how many cameras do you own, and which one(s) are your favorites?

NS: I'm not exactly sure how many I own currently, but it's a lot -- around 30! All but three are analog. I do love my sSLR Evolt and my Panasonic Lumix point-and-shoots with their sweet Leica lenses. However, I simply adore shooting with fine vintage cameras, such as my Praktica FX (a beautiful East German camera from 1952) and my Rolleiflex T1, as well as plastic and toy cameras from the past, such as my Fujipet, my Diana, and my Agfa Clack. I also love, love, LOVE my Holgas! I have a few, and I use them for various things: one is my dependable Holga CFN for straight shooting, one of my Holgaroid for instant Holga photography, one is my backup Holga FN in case I want to shoot color and black-and-white at the same time, and my latest Holga is a 3-D stereoscopic cam with a special viewfinder for enjoying the effect!

I'm also a complete Polaroid junkie! My favorite Polaroid camera is my SX-70; it was a perfect camera for the peerless, and now defunct, Time-Zero film. However, I've had good results using other films with it as well, and the optics on that camera are simply wonderful. I also love shooting with my Grandmother's old Polaroid 104 Land Camera, my Polaroid Spectra System SE, and taking pinhole photos using my Daylab Polaroid pinhole camera. To top it off, I'm a Soviet-era Russian camera junkie! My Lomo LC-A is my favorite 35mm camera, and I particularly love to cross-process film shot with that elegant little device. I have several other cameras, too, including a variety of fun toys from cereal boxes and other product promotions, dollar store cameras, other Lomo-company Soviet cameras, a sweet new Black Bird, Fly camera and old Zeiss Ikonta from the 1930's...and the list goes on and on!


AW: Can you describe a typical day in the life of Nancy-the-Photographer?

NS: When I go out shooting, it's often a time set aside just for that -- exploring for photo opportunities. Because I like to take photos of everyday details, I spend a lot of time wandering the streets wherever I am, looking for something to shoot. Once I find it I then determine which camera and/or film seems best for the subject matter. Sometimes, however, an unexpected opportunity presents itself, and you have to do your best with whatever is in your hands. For me, that's the mark of a photographer -- being able to create an image using whatever tools are available, not just setting up a shot using one particular tool over another. I tend to take many pictures whenever I go out shooting, but, if I can get just one that I think is wonderful, then it's been a great day.


Lucky Four Leaf Clovers

AW: There are some photographers who don't use film at all. Perhaps they made a complete switch from film to digital, or they are so young they never experienced using it. how would you recommend someone begin to experiment with film?

NS: I think that one of the key things to keep in mind is that "perfection" is not very interesting. Film, in my opinion, is fascinating because of its potential for changing the reality of the subject and for the flaws it imposes upon the image. I honestly believe that anyone can take a "perfect" photograph given the proper high-end tools and some practice. However, what is interesting to me is the imperfection of film media and the surprises that film delivers. All film stocks are different, and they change the reality of what the photographer sees through the viewfinder, depending upon the optics of the camera, the lighting, the temperature, and the development chemicals. That is exciting and gives film photography an unpredictability that I find exhilarating!


Once a person abandons the quest for the "perfect" film photo, film becomes super-fun! Experimenting with various films, including expired films, and in various cameras allows the photographer to expand his or her repertoire exponentially. A great way to start is to invest in a few cheap cameras -- such as a plastic 35mm camera from the dollar store, a Holga that takes medium-format film, a retro manual SLR with a reliable lens, etc. -- and then just go out there and shoot! Play with focus, aperture, lighting, and give up worrying about "the rules" and see what happens. Film is a blast, so don't be scared! Abandon your ideas about what "the perfect photo" looks like, and I'm sure you'll find that perfection is found in the flaws.

Personally, I think the proof of the appeal of film is the vast number of photographers who use Photoshop and other digital editing tools to manipulate their digital photo in the quest to make them appear like film. I don't have a problem with that per se; I have used plug-ins like Alien Skin's Exposure to simulate various film stocks using digital photos. However, I wish there was more honesty about it. Fake Polaroids are particularly glaring to me. Polaroid artists can always tell the real from the fake, and it's sad to me that people who make fakes don't always come out and admit it.


AW: Do you work in the darkroom?

NS: I do not currently have a darkroom, but I do know how to develop my film, and there are pieces in my Etsy shop currently that I have developed myself. Working with instant films, especially peel-apart films, is as close as I come to photo chemicals these days. However, I've been making plans to turn the extra bathroom in my house into a darkroom, so that may happen in the near future!


Kiefer's Wing

AW: When you travel, how do you make the decision on which cameras to take with you?

NS: I am very fortunate, because my job allows me to travel relatively often. I am a university professor (of Middle Eastern history), and I attend conferences and do research in various places around the USA and the world fairly frequently. I make it a point to schedule photography-time whenever possible. If I'm traveling by car, I can take a large batch of cameras and film with me, but when I'm flying, I am forced to reduce my stash to whatever I can fit in my carry-on luggage. In that case, I make decisions based on a few criteria: (1) What are my favorite cameras? (2) Which cameras seem to fit the location, and (3) How much do I feel like lugging around in that place? Usually, I never leave for a trip without a digital camera (usually my dSLR and at least one lens for it), my Lomo LC-A, and a Holga. Often, my Polaroid SX-70 comes with me, and, if space permits, I'll bring at least one or two others, depending on the place. For example, when traveling in places that are unfamiliar to me, I prefer not to lug around a lot of flashy equipment, such as a dSLR. Instead, a cheap plastic camera, like a Holga, suits me and allows me to blend in and get a feeling for the environment. That being said, I've been known to wander urban streets and country roads with a backpack full of 5 or 6 cameras, films, lenses, etc.!


Thank you Nancy!


A world traveler and self-taught photographer, look for Ann wandering around city streets and tromping through woods and hiking trails with her camera. After owning an international transportation business for many years, Ann has found her creative spirit again through the lens. See more at Ann's shop and her website.

Wednesday, January 28, 2009

Focus On: alwaysartistic

Hidden Treasure

Regular readers here already know Pam Hardy. She's a regular contributor to the POE blog, and she's also a very enthusiastic supporter of all the members of the Photographers of Etsy. It seems natural to want to get to know Pam better, especially because she lives in very wintery Alberta, Canada, and has a beautiful tropical bird, a sun conure named Jessie, who is the subject of many of Pam's photographs in her Etsy shop. Our talk started with Pam's intense relationship with animals....


Oh Deer

Ann Wilkinson: You show a lot of artistic sides of yourself, in your shop, your website, but what immediately strikes me is your incredible love for animals. Tell us about your relationship with them and what inspires you to use them as your photographic subjects.

Pam Hardy: My love of animals started at 9 or 10 years old when we received a Burmese kitten as a gift. I had severe allergies, so I hadn't had animals before. We gave her a bath every week, and she didn't bother my allergies -- I just loved her. But the apartment where we were living decided on a no-pet policy, and we had to find another home for her. I tried adopting more kittens after her, but my allergies just couldn't handle them, and I couldn't tolerate other animals either. Then when I was 14 I bought my first budgie, and then got more budgies and finches until I had 13 birds! I was hooked, but it was all too much for me. I had to find homes for all of them, but I was a bird lover by this time. My mom suggested a Sun Conure. Well, looking at their beauty, I was hooked.

After a year of researching parrots, in the summer of 2001 I welcomed my bird, a male Sun Conure named Jessie James, into my home.


AW: Jessie James is a beautiful bird. Tell us about him (I've never had a bird as a pet), and how do you get him to pose for your photos?

PH: I have always loved cameras and taking pictures, so when Jessie came he was like my baby. Parrots live a long time, and since he was only a few months old, I wanted to remember his baby days, so I started taking "portraits" and I started a scrapbook for him.

I used fabric as backdrops, and I used props. And I just said, "Smile," talking to him softly so he wouldn't get scared, and he never minded the camera. Now, almost 8 years later, I just tell him to smile, and he poses most of the time. Jessie is extremely tame, and he is my best friend -- I love him so much.


AW: That's a great story, Pam. It's so cool how Jessie loves working with the camera. The image of him being showered with water is really great. How did you do that one in particular?

PH: I had Jessie on my arm, and as I was giving him his shower, I kept setting the timer on my camera over and over -- it was sitting on a tripod.

AW: How did you get into photography?

PH: I had very cheap cameras as a kid. When I was 19 I bought my first expensive camera, a 35mm film camera, and fell in love. A few years later I saved up and bought a digital camera, and last year I got my DSLR! I just love taking pictures and experimenting with different ideas. I also love editing images and experimenting with digital art using my photography.


AW: Can you describe a perfect day with your camera?

PH: It's usually a day off from work, spring weather, and a long walk taking pictures. I had a lot of fun at the greenhouses I visited last spring, and I took a few trips to the lakes and rivers around here. I also had a lot of fun when I got lost on a trail and had to walk 12 kilometers!


Pam's "lost" adventure

AW: Well, you got some great photos from your adventure. So, does photography have any relationship with your "day job"?

PH: No, unfortunately it doesn't. I work in a retail store.


AW: Pam, you mention you do web design and graphic design as a hobby. Obviously, you've got a lot of talent in that area, from your website, blog, and the like. Do you ever see this as a career option for yourself?

PH: Thank you! I design and maintain my own websites as well as a few others, and I help out with some blogs. I love to design them, but I haven't taken any courses on the subject. I just play around until I learn how to do what I want to do. I don't think I would do it as a career; it's more of a hobby for me. I started getting interested in designing websites after running Yahoo groups. My first website was one I created about 7 years ago about my bird, Jessie. It was very basic at first. Since then I've had a lot of fun creating other sites. I also love to create digital art, edit videos, create slideshows and much more.


Marigold Season
AW: Yes, there's always a risk of no longer loving what you do if it moves from a hobby to a job! Tell us a bit more about the digital art you create. What program(s) do you use?

PH: I just love to take the pictures from my camera and turn them into bits of art! I use Microsoft Paint to edit around the edges in fine detail, and I also use a variety of other programs such as Paint Shop Pro Photo XI, which I absolutely love. I also have Kodak Easy Share and Ulead Photo Impact 11.

One of my favorite pieces of art is "Jessie & Lilies". For this one I edited a photo of Jessie and edited a different picture of some lilies, plus I edited a third picture of the sky using Microsoft Paint. I put them together and tweaked it a bit. Then I used Kodak Easy Share to turn it into a cartoon.



Thank you Pam!



A world traveler and self-taught photographer, look for Ann wandering around city streets and tromping through woods and hiking trails with her camera. After owning an international transportation business for many years, Ann has found her creative spirit again through the lens. See more at Ann's shop and her website.

Thursday, January 15, 2009

Welcome New Team Members

I think the best kinds of years happen when we are open to fresh perspectives, ideas and inspiration flowing into our minds and hearts, no matter what month of the year it is. That energy flows out too, making your surroundings all the more vivid and invigorating; a pure namasté that we can apply not just to our daily personal lives but also to our creative lives. Dare I say that having a look at these works and welcoming some of our newest POE team members will certainly provide all of the above? Oh, I dare.

Madonna Number Three - obscuraphoto

421 - vincentteuliere

Pink No. 1 - gayleelizabethphoto

Nuclear Towers - damaged

Sierra, Lone Pine, California - CampbellLaura

Old Books - Foxxysair8

Beijing 2008 - acreativeeye

Magnolia 2 - AlluringDigital

Leaf - Exmosis

Inspiration Grafitti - DeeJayPhotography

Beach Hair - jenaardell

Tracy - tJphoto

By Night 2 - danieljamesphoto

Perfect Ending - fosterbk


The New Members feature is compiled by Gigi Leonard. Gigi is a Chicago-based self-taught photographer whose camera lens automatically turns toward the poetry of the everyday. When she's not editing the POE blog, she is thinking about having another cup of coffee, playing in her digital darkroom or virtual painting studio, or attempting to master control over her newest acquisition, the Nikon D90. See her work in her shop here, and check in at her daily photo and painting blogs. If you still want more, you can view her latest finds from the world of art and decor on her blog, the roadside scholar.

Friday, October 24, 2008

New Works!

I've been thinking about nature this week, I think maybe because the seasons are changing. Even though the fall is gorgeous and winter is so pretty, I'm already missing the warmer months as I put my jacket on before I go outside. I'm noticing that the light is changing. It splashes onto corners of brick buildings and the sidewalk, and when the wind blows I stop to listen for the rustling of leaves. I look to see them blowing down the street and I think to myself I can't believe how quickly the year flew by. If I start to feel a little blue about it, all I need to do is check out the photography on Etsy to perk me up. It really works! I chose these photographs this week because some of them remind me of the warm sun on my skin, cool lake waters and the promise of new seasons. And I chose a few others to remind me of the dazzling photo ops the rest of the year will bring.


Electric Harmony - ferventbutterfly


Pink Fog and Trees - MoonbirdHillArts


Surreal Crystal Glow - gothicrow


Brant Point Sunset - Knight27


Heart of the Ocean - flywithme


Change - flandersfield


Blue Jay in Spring - JMcGuinness


New Works is compiled by Pam Hardy. Pam lives in beautiful Alberta, Canada. She has always been fascinated with cameras and has been taking pictures most of her life. Her favorite things to photograph are flowers and animals, and she enjoys experimenting with new subjects and techniques. See Pam's website here and her shop right here.